Alexey Logunov
Composer • Pianist • Interdisciplinary Artist
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  • Biography
  • Compositions
    • Orchestra
      • Wandering Through the Dark Forest (2026)
      • non-place (2024)
      • MESSIER 87 (2020)
      • VV Cephei (2019)
      • Largo (2016)
      • The Universe’s Lament (2014)
      • Adagio (2010-2011)
    • Ensemble
      • Lost River (2026)
      • Study of Snowflakes (2025)
      • Quiet Music (2024)
      • Ultramarine (2024)
      • Midnight Tunes (2021)
      • Strange dreams (2021)
      • When the snow grants silence… (2020)
      • Ringing (2019)
      • Apophis (2019)
      • Luce Celeste (2017)
      • Memories (2016)
      • Futility (Vainness, 2015)
      • Les Quadrantides (2013)
      • Rondo Furioso (2011)
      • The Man in a Yellow Shirt (2011)
      • Variations (2010)
      • Fairy Tale (2010)
    • Solo
      • Trace of a Song (2026)
      • Fast Streams (2024)
      • Five Preludes for piano (2023-2024)
      • Fantasy (2022)
      • “Through enfilade” and “Quasi toccata” (2012)
      • Piano Sonata (2011-2012)
      • Valse (2011)
    • Vocal Music
      • The Hollow Men (2023)
      • On the Blue Sea (2023)
      • Songs of the Departed (2015)
      • Four monologues on Paul Verlaine’s verses (2010-2011)
    • Electroacoustic & Multimedia
      • Four Landscapes | cut at the Horizon Line (2024-2026)
      • Tocsin (2024)
      • Unknown Worlds (2023)
      • Let’s play together? (2023)
      • Fragile World (2020)
      • GRETA (2019)
    • Theatre
      • Stolen Air (2013)
    • Film music
      • Black coat (2016)
      • Why not? (2014)
      • The man on the coast (2013)
      • Hobby (2012)
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Orchestra

  • Wandering Through the Dark Forest for orchestra (2026)
  • non-place for bass flute and chamber orchestra (2024)
  • MESSIER 87 for symphonic orchestra (2020)
  • VV Cephei for concert band (2018-2019)
  • Largo for piano and string orchestra (2016)
  • The Universe’s Lament for piano and symphonic orchestra (2014)
  • Adagio for violin and string orchestra (2010-2011, revised in 2017)

 

 

 

 

 

 

 

 

 

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